A Grown Man On The Phone

My voice dropped when I was thirteen and it dropped all the way.

There was a girl named Misty I’d met at camp. Louisiana, thick bayou accent, and we were friends — not dating, nothing like that, just a long-distance friend I thought was about the coolest person I knew. I called her house one night and her father picked up.

Hello sir, may I speak to Misty please.

She got on the line and the first thing she said was, you just freaked my daddy out. I asked why. She said, my daddy wants to know why there’s a grown man on the phone for me.

I was thirteen. I weighed about a buck fifty. And there was no version of me that could have gotten on that phone and convinced that man otherwise, because everything he needed to know had already happened in seven words.


The size came later.

I was six foot and a hundred and ninety pounds when I graduated high school. Slim, decent shape. Then I went to a summer arts institute that year, caught poison ivy, and got put on prednisone at the clinic.

Prednisone at a camp with three meals a day and all you care to eat. I gained twenty pounds in two weeks. By the end of that summer I was two-twenty, some of it water, some of it a late growth spurt, and some of it just the thing my family does.

Because we are not small people. I had a cousin, gone now, who was a mountain of a man — my dad watched him pick a car engine up off the ground with the headers still on it and set it in a truck bed by himself. His little brother is built the same way. My dad is thick through the chest and shoulders and always has been.

I’m six foot and built like a barrel. Forty pounds down would put me in the best shape of my life, and I would still not look like a man you’d want to startle in a parking lot.

Add a resting face that reads as annoyed when I’m thinking about nothing at all.


So this is the arrangement.

Nobody messes with me. That’s not nothing — I’ve walked through my whole adult life without ever once having to worry about a situation getting physical, and I know exactly what that’s worth and that not everybody gets it.

The cost is that the friendly part of me has a longer trip to make than it does for most people. I have to work to get it out where somebody can see it. There’s a distance to close before anyone finds out I’m not what the packaging says, and it’s on me to close it, every time, with everyone.

The stupid part is that I am the friendly one. That’s not a strategy or a thing I put on. It’s who I actually am, and I have to prove it for a living.


In 2022 I played Maurice in Beauty and the Beast.

The director told me later why he cast me. The young man playing the Beast was six-two and around three-fifty, and he wanted Belle to have been raised by a large, strong father — so that standing up to something enormous would be the most natural thing in the world for her. My size wasn’t incidental to the part. It was the reason for the part.

Somewhere in the run, one of the dancers rolled her ankle badly. She ended up sitting on the stairs outside the stage door with a half circle of people around her, everybody looking at everybody else, nobody moving.

I said hang on. Then I picked her up and carried her down two flights of stairs to where somebody could look at her.

That’s the other half of the arrangement, and it doesn’t come up nearly as often as the parking lot version.


I’ve thought about what I did with all that.

I sang bass. I joined Toastmasters and stayed thirteen years. I’ve spent most of my adult life in front of rooms, and the thing I’ve cared most about the whole time is communicating well.

A guy could look at that and call it compensation, and maybe some of it is. But I think it’s simpler. I got handed an instrument that arrives before I do and says something about me that isn’t true. So I learned to use it on purpose.


My son and I lift together, three nights a week.

Forty-seven years old and I am stronger right now than I have ever been in my life. That’s part of why I’m as thick as I am, and I’ve made peace with the trade.

He’s eighteen and he’s catching me. That’s the whole point of it.

Actually he is 6’2”. He already passed me.

Excellence Knows No Age

We watched Down Periscope tonight. I’ve loved that movie for thirty years and it holds up — silly and sweet at the same time, which is harder to do than it looks.

I quote it more than I should. There’s a scene early on where the captain is meeting his crew, gets a look at his new executive officer, and says something about him being a little young for the job.

Rob Schneider straightens up and says: excellence knows no age, sir.

It’s a joke. It’s also true, and I’ve thought about it more than a comedy line probably deserves.


My son is in the middle of a painting challenge right now — a series of watercolors, a different theme each time.

He showed me the collection tonight. Spread out, all of them together.

They’re good. Not good-for-his-age good. Good.

I’ve never had any interest in painting, but I’ve always drawn. I still doodle while I think — always have, half the margins of my life are covered in it. And what I put on a page is not in the same category as what he puts on one. He draws it, then he paints it, and it’s finished, and I’m looking at it.

I’m thirty years older than him and I’m not close.


Here’s the thing I noticed about myself tonight, standing there looking at his work.

Nothing in me wanted to compete with it. Not a flicker. I was just proud of him and glad to be looking at it.

And I compete with everything. I keep score on myself constantly — I’m not as far along as I should be, I haven’t had the success I wanted, I still haven’t found the groove in half of what I’m doing. Writing included. I run that tally in the background most days.

But not with him. I don’t grade myself against my son and I never have.

Which makes me wonder who I think I’m grading myself against the rest of the time.


The honest answer about the writing is that I haven’t been at it long. Not seriously, not the way I’ve been at it this year. I’m early. Early looks like failure if you compare it to someone who isn’t.

He’s early too. He’s just been early at the right thing for longer, and he practices, and it shows.


He put them all back in order when he was done showing me.

I Knew The Guy

In my twenties I worked with a man who got fired over something he said. I’ll leave it there — it was his to carry and it isn’t mine to publish. Today it would be called an HR violation.

We both worked for the owner of the company. A client told the owner the man was careless and unkind, and that put the owner in a spot. Ultimately it cost the man his job, because the alternative was losing the client.

The owner started to adopt the client’s story. If that version was all I’d had, I’d have believed every word.

But I knew him. He was one of the sincerest people in that office and he was kind in ways nobody was keeping track of. He’d also grown up somewhere that hadn’t taught him where the lines were in a place like that one, and he crossed one, and it cost him his job.

I never argued that he shouldn’t have been fired. The mistake was real. What I couldn’t do was accept that the mistake was the man, because I had information the story didn’t contain.

Almost nobody else in that building did.


That’s the part that stayed with me. Not that the man had done wrong. That it got repeated as if it were all he was. The client, the owner, the office.

They weren’t being cruel. They had one account, from one person, delivered with authority, and no reason on earth to go looking for a second. Five people repeating it wasn’t five sources. It was one source with five mouths. From inside, that feels exactly like confirmation.


Here’s the thing I’ve noticed since, and it’s worse than plain repetition.

You’ve probably heard that “blood is thicker than water” is a butchered version of an older line — the blood of the covenant is thicker than the water of the womb — meaning the bonds you choose beat the family you were born into. Great story. Sounds like a hidden truth somebody’s been keeping from you.

It appears to be invented. The covenant version traces to a couple of authors in the nineties and two-thousands, neither of whom cited a source, and it doesn’t turn up in older texts at all. The actual proverb has always meant what you’d expect: family runs deep.

So the correction is the distortion, and the people passing it around are certain they’re the ones who saw through something.

That’s the sharper trap. It isn’t repeating what everybody says. It’s repeating the thing that let you feel like you’d stopped doing that.


I carried a misquoted Bible verse about money for most of my adult life and never once went and looked at it. When I finally did, one word was missing and it changed the whole meaning. I’d been wrestling with a sentence that was never the sentence.

Decades. Never checked. And I’d have told you I was a careful person.


There’s a live version of this running right now and it comes in a matched pair.

One crowd is selling seven prompts that will change your business. I use these tools every day and I read the prompts — they’re vague, overgeneralized, and will get you back something that sounds intelligent and says nothing. That’s the grift.

The other crowd has decided the whole thing is a bubble and none of it is real, and they roll their eyes and feel superior about it.

Both are handing you a conclusion you didn’t build. One says it’s magic, one says it’s nothing, and neither has any interest in you going to look. If you looked, you wouldn’t need either of them.


I still think about the guy sometimes.

There are people who worked in that building for years who never knew anything about him except the worst afternoon of his life, told by somebody else, and there was nothing in it that was untrue.

It just wasn’t him.

Eight O’clock

Friday I slept until after eight.

I’ve done that maybe twice in ten years. I’m up at 5:30 every day, not because anyone makes me — I like it, it’s the quietest part of the day and it belongs to me. But Friday I woke up at some point, looked at the clock, and went back under.

It took two weekends of practice to get there. First one I made myself stay in bed until seven and it felt like being late for something. Did it again the next day. Then Friday, eight.

What finally landed it wasn’t discipline. My wife looked at me and said, “You’re exhausted. Sleep in.”


Our team just brought a project across the line at work. Ten months of build, a go-live date that wouldn’t stick, the whole thing.

I want to be careful how I describe this, because I liked it. I’ve spent twelve years doing large project work and I’d take that kind of pressure any day — you plan a thing, you build it, and then people use it. That’s about as satisfying as work gets.

What wears on you isn’t the hours. It’s carrying, for ten months, the awareness that if this doesn’t hold, it doesn’t fail quietly. It fails at enterprise scale, in front of everyone, on Monday. You don’t put that down at 5 p.m. You just carry it at a lower volume.

And then it launches, and you’re still braced, because your body didn’t attend the meeting where we decided it was over.


I wrote something years ago about being in a current.

The idea was that most of the time being busy feels like water moving you along — responsibility, deadlines, the list, everyone counting on you. You put your head down and paddle to keep up, and after a while you stop noticing anything except the water.

And the current isn’t deep. That was the whole point of it. You can put your feet down and stand up in the middle of it any time you decide to. You can walk to the bank and watch it go by. It was never actually in charge.

I still believe that. What I’d add now is that standing up is not a thing I do by myself. Twice this month it took my wife on the bank telling me the water wasn’t as deep as I thought.


There’s an old Alabama song about being in a hurry and not knowing why.

I’ve had it stuck in my head, and not because it describes me. I’m not in a hurry to get my life over with. I like my life — I like being married to her, I like being my son’s dad, I like building things. When I catch myself rushing and can’t say what for, that’s not a mood. That’s information.

Because hurry and performance are not the same animal. When I’m performing I know the goal and I know why it matters and I can tell you which things don’t. Hurry is what shows up when I haven’t decided any of that, so everything arrives equally urgent and I just thrash. One is chosen. The other is drift wearing a productivity costume.


Here’s the bill.

I’m not dissatisfied with my life. But when I think honestly about what I’d want back, it isn’t projects and it isn’t time. It’s people. There are friendships I’d have built more deliberately. There are people I liked who I let drift because I was in the water with my head down and I’d have told you, sincerely, that I’d get to it.

Nobody isolates on purpose. You just stay busy long enough and the number of people you’re actually close to gets smaller, and no single week is when it happened.

That’s the real cost of the current. It doesn’t take your hours. It takes your people, slowly, while you’re being responsible.


Tomorrow morning it’s supposed to be sixty-eight degrees, which in Oklahoma on the second of August is close to a miracle.

I’m going to put headphones on and mow the yard before church. Listen to a book and drive around the lawn like it’s a go-kart. Same chore either way. The grass doesn’t care.

That’s about as far as I’ve gotten. Head up, feet down, and somebody on the bank who’ll tell me when I’ve stopped noticing the water.

The Room I Can’t Read

7-40 Challenge | Round 5 Day 1

I recorded four minutes of thoughts on my walk this morning and never stumbled once. Then I sat down to film a thirty-second video saying the same thing, and my brain locked up.

That gap has bothered me for a while, because on paper it makes no sense. I’m a Toastmaster. I did theater. I’ve stood in front of full rooms and ad-libbed my way through, and I was fine — better than fine. Put a phone in front of me in an empty room and I freeze.

For a long time I told myself it was the camera. Being watched. But that’s not it. I record my thoughts out loud every single day on my walks and it’s effortless. Same guy, same microphone. The only thing that changes is where the audio is going. One version is just me, organizing what I think. The other is going out to people.

Here’s what I finally landed on: when I’m in a live room, I can read it. I can see which points are landing, who’s leaning in, where to push and where to let go. I ad-lib because the room is talking back to me the whole time. Online, there’s none of that. You send it out into nothing. You have no idea if anyone’s watching, if it’s hitting, if it matters at all. You’re basically talking to yourself and hoping. And without the room to read, I lose the thing I’ve always leaned on.

So I overcorrect. If I can’t read the room, I’ll make the words perfect instead. I’ll get it exactly right the first time so I don’t have to record it over and over. That’s the Toastmaster in me — I want a well-framed talk, not a ramble. Except the demand for perfect is what freezes me before I ever start.

Then I noticed where I don’t do this. Work.

I sit in meetings and I’ll start talking before I actually know what I’m saying, and somewhere in the middle I realize I do know — I just needed to hear myself get there. I give myself that grace at work without thinking about it. And I know why. Twenty years in, I trust that if I open my mouth, what comes out is worth a little credence, even half-formed. So I let myself think out loud.

On camera, for the things I actually care about — the writing, the ideas outside my day job — I haven’t earned that yet. Not in my own head. So I won’t let myself be half-formed. I make myself audition for the right to speak before every take.

That’s the real thing under the freeze. It was never the camera. It’s that the perfect-first-take I demand of myself is a stand-in for an authority I haven’t built yet. And the uncomfortable part is knowing you can’t build it in private. Nobody hands you credence for the videos you didn’t post.