Passenger

I love watching people, and a ship is about the best place I’ve found to do it.

Everybody converges. Nationalities I couldn’t place, accents I can’t identify, families three generations deep at one table. Old people moving slow and full of life. Kids running where they shouldn’t. Somebody loud at the bar who wants the whole deck in on the joke, and somebody else at the rail by himself who clearly does not.

And once you sit with it a while the differences stop being the interesting part, because everybody out here wants the same four or five things. Their people around them. Something good to eat. A game to play. A stretch of time where nothing is difficult.

That’s it. That’s the whole list, and it’s the same list in every language on this boat.


What I can’t stop doing is wondering about the faces.

Is this just a vacation, or is somebody escaping something? Is that man dreading the flight home, or is he going back to a life he genuinely likes? Did this cost them nothing or did it cost them a year of saving?

I’ll never know any of it. I’ll pass four thousand people this week and I won’t learn one story.


Which turned the question back on me, sitting there.

What am I in all of this? A man who loves his family. A man who’s been given considerably more than he’s earned and knows it.

And a man who is finally, actually relaxing — for the first time in a long time. I’ve been on the clock for months. Longer than months. There’s been a thing to achieve every single day for most of this year and a good part of the years before it.

Out here I’ve found rest just looking at the water. The size of it. A thing I did not make and cannot influence in any direction, doing what it’s done for a very long time without any input from me.


The other piece of it is that I’m a passenger.

I’m not driving this. I don’t know the route. Somebody far more qualified than me is getting us from one place to the next, and other people are cooking, and other people are running the whole apparatus, and my job is to be aboard.

I’m not built for that. I have spent this entire year building systems so that I’m the one holding the thing together. And here I am with no responsibility for any of it, breathing all the way down for the first time in a while.

It turns out I can do it. That’s useful information about myself that I did not have last week.


I was saying most of this out loud into my phone when caught my attention, smiled, and told me good morning.

So I’m not really watching them. I’m one of the faces.

Four thousand stories under one roof, and I don’t know a single one of them. But the God who made me and loves me did exactly the same for every person on this ship.

That’ll do for a Monday.

What I’m Taking

Friday I get on a plane, and for the first time in two and a half years I’m going somewhere with nothing to do.

I want to be precise about that, because I’ve taken time off. Plenty of it. Days with family, weeks around the house. But those weeks still had a kitchen in them, and a yard, and a list of things I’d been meaning to get to that I finally had time to get to.

This one has none of that. I don’t cook. I don’t drive. There is no list. Whatever needs doing, somebody else is doing it, and I’ve paid them to.

I’ve never been much good at that.


The seven habits I’ve run every day since January are going on pause.

Not all of them. I’ll drink the water, because it’ll be hot and I’d be stupid not to. I’ll read my Bible, because that’s not a habit anymore, it’s just a thing I do in the mornings and I’d have to work to stop. The pictures keep going out.

The rest of it — the tracking, the counting, the lifting, the whole apparatus — stays home. I’m calling it a Sabbath and I mean it that way. There’s a difference between resting and taking a break from something, and I’d like to find out if I know what it is.


The writing goes with me.

Not the laptop. Phone, iPad, and a notebook in case I want to do it the old way. The ship has internet and I’ve already paid for it, more of it than any one man needs.

I’ve written something here every single day since January 1st. Two hundred and twenty-some days. There are a hundred and forty left in the year and I’m not going to miss one now over a vacation, which would be an idiotic place to break a streak I’ve carried this far.

But I’m not planning to be deep about it.

For most of this year the posts have gone inward — old jobs, old wounds, patterns I’ve caught in myself. Some of that’s been useful and a couple of them cost me something to write. Next week I’d like to just tell you what I saw. A meal. A person. Something beautiful I stood in front of for a while. Human interest, light on the interior.

There’ll be plenty. New places make material without you having to dig for it. That’s most of what a new place is for.


Here’s the part that surprised me when I sat down to think about it.

I’m not worried I’ll quit. Nothing about this is fragile anymore — I could put the whole thing down for eight days and it would all be waiting Monday, and I know that now in a way I wouldn’t have in February.

What I’m curious about is the other direction. I’m bringing my mid-year review with me, and I’ll open it somewhere around day four when my head has cleared out. I’ve got a real suspicion that some of what I’ve been building this year is going to look different from a deck chair a long way from home.

I might come back and change direction entirely.

I don’t think I will. But I like knowing I could, and I don’t think I’ve been in a position to know that in a very long time.


I write this thing for me. On a good day twenty or twenty-five people come by and I am so grateful for that. The one person who’d actually ask me why there is a gap is my wife. She’s is with me and won’t ask.

So there’s no obligation here. It’s time to unwind.

I’m bringing the notebook anyway.

A Grown Man On The Phone

My voice dropped when I was thirteen and it dropped all the way.

There was a girl named Misty I’d met at camp. Louisiana, thick bayou accent, and we were friends — not dating, nothing like that, just a long-distance friend I thought was about the coolest person I knew. I called her house one night and her father picked up.

Hello sir, may I speak to Misty please.

She got on the line and the first thing she said was, you just freaked my daddy out. I asked why. She said, my daddy wants to know why there’s a grown man on the phone for me.

I was thirteen. I weighed about a buck fifty. And there was no version of me that could have gotten on that phone and convinced that man otherwise, because everything he needed to know had already happened in seven words.


The size came later.

I was six foot and a hundred and ninety pounds when I graduated high school. Slim, decent shape. Then I went to a summer arts institute that year, caught poison ivy, and got put on prednisone at the clinic.

Prednisone at a camp with three meals a day and all you care to eat. I gained twenty pounds in two weeks. By the end of that summer I was two-twenty, some of it water, some of it a late growth spurt, and some of it just the thing my family does.

Because we are not small people. I had a cousin, gone now, who was a mountain of a man — my dad watched him pick a car engine up off the ground with the headers still on it and set it in a truck bed by himself. His little brother is built the same way. My dad is thick through the chest and shoulders and always has been.

I’m six foot and built like a barrel. Forty pounds down would put me in the best shape of my life, and I would still not look like a man you’d want to startle in a parking lot.

Add a resting face that reads as annoyed when I’m thinking about nothing at all.


So this is the arrangement.

Nobody messes with me. That’s not nothing — I’ve walked through my whole adult life without ever once having to worry about a situation getting physical, and I know exactly what that’s worth and that not everybody gets it.

The cost is that the friendly part of me has a longer trip to make than it does for most people. I have to work to get it out where somebody can see it. There’s a distance to close before anyone finds out I’m not what the packaging says, and it’s on me to close it, every time, with everyone.

The stupid part is that I am the friendly one. That’s not a strategy or a thing I put on. It’s who I actually am, and I have to prove it for a living.


In 2022 I played Maurice in Beauty and the Beast.

The director told me later why he cast me. The young man playing the Beast was six-two and around three-fifty, and he wanted Belle to have been raised by a large, strong father — so that standing up to something enormous would be the most natural thing in the world for her. My size wasn’t incidental to the part. It was the reason for the part.

Somewhere in the run, one of the dancers rolled her ankle badly. She ended up sitting on the stairs outside the stage door with a half circle of people around her, everybody looking at everybody else, nobody moving.

I said hang on. Then I picked her up and carried her down two flights of stairs to where somebody could look at her.

That’s the other half of the arrangement, and it doesn’t come up nearly as often as the parking lot version.


I’ve thought about what I did with all that.

I sang bass. I joined Toastmasters and stayed thirteen years. I’ve spent most of my adult life in front of rooms, and the thing I’ve cared most about the whole time is communicating well.

A guy could look at that and call it compensation, and maybe some of it is. But I think it’s simpler. I got handed an instrument that arrives before I do and says something about me that isn’t true. So I learned to use it on purpose.


My son and I lift together, three nights a week.

Forty-seven years old and I am stronger right now than I have ever been in my life. That’s part of why I’m as thick as I am, and I’ve made peace with the trade.

He’s eighteen and he’s catching me. That’s the whole point of it.

Actually he is 6’2”. He already passed me.

Excellence Knows No Age

We watched Down Periscope tonight. I’ve loved that movie for thirty years and it holds up — silly and sweet at the same time, which is harder to do than it looks.

I quote it more than I should. There’s a scene early on where the captain is meeting his crew, gets a look at his new executive officer, and says something about him being a little young for the job.

Rob Schneider straightens up and says: excellence knows no age, sir.

It’s a joke. It’s also true, and I’ve thought about it more than a comedy line probably deserves.


My son is in the middle of a painting challenge right now — a series of watercolors, a different theme each time.

He showed me the collection tonight. Spread out, all of them together.

They’re good. Not good-for-his-age good. Good.

I’ve never had any interest in painting, but I’ve always drawn. I still doodle while I think — always have, half the margins of my life are covered in it. And what I put on a page is not in the same category as what he puts on one. He draws it, then he paints it, and it’s finished, and I’m looking at it.

I’m thirty years older than him and I’m not close.


Here’s the thing I noticed about myself tonight, standing there looking at his work.

Nothing in me wanted to compete with it. Not a flicker. I was just proud of him and glad to be looking at it.

And I compete with everything. I keep score on myself constantly — I’m not as far along as I should be, I haven’t had the success I wanted, I still haven’t found the groove in half of what I’m doing. Writing included. I run that tally in the background most days.

But not with him. I don’t grade myself against my son and I never have.

Which makes me wonder who I think I’m grading myself against the rest of the time.


The honest answer about the writing is that I haven’t been at it long. Not seriously, not the way I’ve been at it this year. I’m early. Early looks like failure if you compare it to someone who isn’t.

He’s early too. He’s just been early at the right thing for longer, and he practices, and it shows.


He put them all back in order when he was done showing me.

I Knew The Guy

In my twenties I worked with a man who got fired over something he said. I’ll leave it there — it was his to carry and it isn’t mine to publish. Today it would be called an HR violation.

We both worked for the owner of the company. A client told the owner the man was careless and unkind, and that put the owner in a spot. Ultimately it cost the man his job, because the alternative was losing the client.

The owner started to adopt the client’s story. If that version was all I’d had, I’d have believed every word.

But I knew him. He was one of the sincerest people in that office and he was kind in ways nobody was keeping track of. He’d also grown up somewhere that hadn’t taught him where the lines were in a place like that one, and he crossed one, and it cost him his job.

I never argued that he shouldn’t have been fired. The mistake was real. What I couldn’t do was accept that the mistake was the man, because I had information the story didn’t contain.

Almost nobody else in that building did.


That’s the part that stayed with me. Not that the man had done wrong. That it got repeated as if it were all he was. The client, the owner, the office.

They weren’t being cruel. They had one account, from one person, delivered with authority, and no reason on earth to go looking for a second. Five people repeating it wasn’t five sources. It was one source with five mouths. From inside, that feels exactly like confirmation.


Here’s the thing I’ve noticed since, and it’s worse than plain repetition.

You’ve probably heard that “blood is thicker than water” is a butchered version of an older line — the blood of the covenant is thicker than the water of the womb — meaning the bonds you choose beat the family you were born into. Great story. Sounds like a hidden truth somebody’s been keeping from you.

It appears to be invented. The covenant version traces to a couple of authors in the nineties and two-thousands, neither of whom cited a source, and it doesn’t turn up in older texts at all. The actual proverb has always meant what you’d expect: family runs deep.

So the correction is the distortion, and the people passing it around are certain they’re the ones who saw through something.

That’s the sharper trap. It isn’t repeating what everybody says. It’s repeating the thing that let you feel like you’d stopped doing that.


I carried a misquoted Bible verse about money for most of my adult life and never once went and looked at it. When I finally did, one word was missing and it changed the whole meaning. I’d been wrestling with a sentence that was never the sentence.

Decades. Never checked. And I’d have told you I was a careful person.


There’s a live version of this running right now and it comes in a matched pair.

One crowd is selling seven prompts that will change your business. I use these tools every day and I read the prompts — they’re vague, overgeneralized, and will get you back something that sounds intelligent and says nothing. That’s the grift.

The other crowd has decided the whole thing is a bubble and none of it is real, and they roll their eyes and feel superior about it.

Both are handing you a conclusion you didn’t build. One says it’s magic, one says it’s nothing, and neither has any interest in you going to look. If you looked, you wouldn’t need either of them.


I still think about the guy sometimes.

There are people who worked in that building for years who never knew anything about him except the worst afternoon of his life, told by somebody else, and there was nothing in it that was untrue.

It just wasn’t him.