A few weeks ago at an estate sale I found a notebook that had to be from the seventies or eighties.
Somebody had owned it for forty-some years and never written a word in it. Not one page. It had been sitting in a house that long, blank the whole time, and now it was on a folding table with a price on it.
I bought it immediately. What I thought, standing there, was: that book is ripe.
I have a drawer full of them.
I’ve loved paper my whole life. Reams of copy paper for no reason. Notebooks I don’t need. The school supply aisle in August is, to me, a genuinely exciting place.
And I know exactly what I believed every time I brought a new one home. I was going to sit down and create something. Start the story. Build the plan. Have the explosion, fill the whole book, do something worth doing.
That did happen. Not often, but more than once — songs, story ideas, plans that turned into real things years later. Some of them I’m still working from.
The times it worked all had the same thing in common, and it took me a long time to see it, because it’s so plain it’s almost insulting.
I sat down and made something. I didn’t admire the potential. I spent it.
Here’s what I understand now that I didn’t at twenty-five.
I don’t think on paper. I think out loud. I’m faster and clearer and more complete talking than I have ever been with a pen, and it isn’t close.
A pen runs at maybe twenty words a minute and I talk at a hundred and fifty. But speed isn’t really the point. The point is that when I say a thing out loud I hear it, and hearing it produces the next thing, and that chain doesn’t start at all when I’m writing. On a page I stall out somewhere in the second paragraph, editing a sentence I haven’t finished.
I can walk for an hour and talk the entire hour. That’s just how I’m built. I’ve known it about myself for decades and I had nowhere to put it.
So every one of those blank notebooks was a promise made in the wrong medium. It wasn’t lying to me. It just needed something from me that I don’t have and never had.
Most of Phase Defiant, I talked.
A hundred and five thousand words, and the bulk of it came out of my mouth on walks and in the car and got captured and worked into a novel. I did not sit at a desk and write that book. I talked it into existence and then edited what came back.
Twenty years of blank notebooks and the thing that finally worked doesn’t involve paper at all.
Which leads to the question I don’t especially enjoy. If I’d had this in 2005, my first book comes out twenty years ago. I’d have been publishing novels this whole time.
I don’t know what to do with that except say it.
Some things still belong on paper and I won’t be talked out of it.
Lists. And anything with a shape to it — architecture, systems, the way pieces connect. When I need to see how things relate I have to draw them, with lines between the boxes, by hand. I’ll still talk through it while I’m drawing. But the drawing has to happen on a page.
That’s a real category and paper owns it outright.
I’m not going to stop buying notebooks.
I want to be clear about that, because this reads like the part where a man announces he’s finally learned something and cleans out a drawer. I’m not doing that. There is a notebook from 1979 in my office that has never been written in, and I paid money for it, and I would do it again tomorrow.
I just know what it is now. It isn’t a promise about what I’m going to make.
It’s a beautiful thing that somebody didn’t use.


