We got into St. Thomas at seven this morning and walked off not knowing what to expect.
It’s a small island and it feels smaller — tucked away, unhurried. People wanted our business but nobody put anything in our faces about it. We rode a gondola up to a lookout and stood there a while looking at the whole thing at once, then worked our way through shops up in the hills, including one where everything sold funds craftsmen paying for their own training.
What I noticed most was how the place sounded.
A woman from somewhere in the Northeast — not Boston but in that family, and I asked, because I wanted to know. Jamaicans. A man from the Dominican Republic. Several people from Japan. Forty thousand people live on that island and I heard a good spread of the world before lunch.
I love that. I have always loved that. Hearing where somebody’s from before they tell you is one of my favorite things about being anywhere.
We bought a few things from a woman running a shop, and she had an accent I couldn’t place except that it was European.
So I asked. She said Russia.
I told her I thought her accent was beautiful.
She told me she’d been in the United States for more than twenty years. And then she said that if there were an amount of money she could pay to be rid of it, she would pay it — and she put a word in front of “accent” that I’m not going to print.
Twenty years. Still carrying it, still hating it, and apparently not for the first time that day.
I tried to tell her what I actually meant. That I love hearing how people sound, that I love hearing what they think, that it had been the best part of my morning.
And then — I want to be honest about this, because it’s the part I keep turning over — I slipped into a bit of a Russian accent myself and told her that imitation was the sincerest form of flattery.
I meant it warmly. I have replayed it several times since and I don’t know how it landed. I hope I didn’t hurt her.
If I’d had longer, and if she’d wanted to hear it, here’s what I’d have said.
That accent isn’t a report on what she is. It’s a record of where she came from, and of every decision that took her from there to a shop on a small island a long way away. She chose a new country. She built something in it. All of that is in how she talks.
It ought to remind her of the distance she covered. Not of whatever she was trying to get away from.
That’s what I think, anyway. I got a receipt and a bag and about ninety seconds, and I don’t know the first thing about her life.
We had tacos at a little place on the island and they were excellent. Good morning, good island, and I’d go back tomorrow.
But I can’t get past that conversation.
I paid her a compliment in the only currency I had, and she couldn’t take it, because for twenty years the sound of her own voice has been something people rendered a judgment on.



