Day 70 of 280 | The 7-40 Challenge
I went to college on a full music scholarship. Bass baritone. Show choir. The whole deal. Singing and dancing literally paid for my education.
I sang in everything I could find — college choir, a professional chorale that was just starting up, church worship teams, a summer-long ministry tour where I sang at a youth camp for over two months. By the end of that summer, I was sung out in ways I didn’t even know were possible.
And when I got back to campus that fall, I realized something had shifted.
It wasn’t that I couldn’t sing anymore. I could. It was that the environment around music had started to change me into someone I didn’t want to be. The music department had started a critical spirit in me — a snobbish perfectionism that I was fighting without realizing it. And I didn’t have the tools at that age to separate the pursuit of excellence from the culture of superiority.
If I’d had the work ethic I have now — the ability to self-assess and improve — I probably would have excelled. But at nineteen, I didn’t have that in my toolbox. And honestly, I didn’t need to stay. That path wasn’t going to serve me. I just didn’t have an adult come alongside me at that moment to help me figure out what should come next.
So music faded. Gradually. Not with a dramatic exit — just a slow drift into other things. I even spent a season as a music pastor, where singing was my entire job. And it took the fun out of it completely.
Years later, I found my way back to performing. Not as a career. Just for the love of it. I joined a theater group in the DFW area and ended up playing Maurice in Beauty and the Beast — ten shows, not an empty seat in the audience.
Something was different this time. I was just there to do my best and enjoy the ride.
In the version of the show we performed, the original script had included a duet between Belle and Maurice. But the musical’s writers had replaced it with a short solo that Maurice sings as he gets lost in the woods. The removed the duet completely. They did it because the duet weakened Belle’s character — it undercut her agency in the story.
Would I have loved singing a duet with the actress playing Belle? Absolutely. She was an incredible singer. But it’s not what the story needed. It’s not what the character needed. It told a better story without it.
And I was completely okay with that.
That’s when I knew I was a different person. The younger version of me would have been devastated. This version understood that the talent exists to serve the story — not the other way around.
I’ve been thinking about this because I just started reading Todd Henry’s Die Empty, and he talks about identifying your through line — the thread that runs through everything you do and connects it into a single coherent purpose.
My through line isn’t singing. It never was. Singing was a tool. A resource. A gift I was given that served me well for a season and still sits on the bench ready to be called up when the moment is right.
But it’s not the thing.
The thing is what I’m doing right now — writing, creating, documenting, building something that helps people see what they already have and use it on purpose. That’s the through line. Phase Defiant, the 7-40 Challenge, BiblePictures365, this blog — they’re all expressions of it. The singing, the thirty voice impressions I can do, the odd jobs I do around my house — those are resources. They’re talents. They just don’t run the show.
There’s a moment in The Wedding Singer where Robbie Hart, played by Adam Sandler, realizes something about himself. He used to play in a band. He performed at weddings. But what he really wanted wasn’t to be the guy on stage. He just wanted to express the feelings and create the things. He wanted to write songs people loved. He didn’t have to be the one up there singing them.
That’s me.
I’ve written over fifty songs. I’ve performed on stages large and small. I can sing, and I can do it well enough to hold my own. But I don’t need to be the guy on stage. I need to be the guy at the desk — writing the story, building the framework, documenting the journey, creating something that lasts longer than a performance.
If you’re reading this and you’re in that spot — talented at something, maybe even genuinely good at it, but sensing deep down that it’s not your thing — here’s what I’d tell you:
There’s a difference between what you’re talented at and what matters to you.
Start with what you value. Your family. Your faith. The work that makes you come alive. The problem you can’t stop thinking about. Then ask yourself which of your talents actually serve those values — and which ones are just things you can do.
Your talents are resources, not assignments. The through line decides which ones get deployed. And having a real gift sit on the bench isn’t waste — it’s wisdom.
Let the story decide what it needs. Not your ego.
Day 69 Scorecard:
✅ Bible study and prayer
✅ Walking
✅ Reading (Die Empty — Todd Henry)
✅ Calories tracked
✅ Water (100 oz)
✅ Gratitude
✅ Exercise
✅ BiblePictures365
✅ Creative hour

